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USE YOUR BACK BUTTON TO RETURN TO THE PREVIOUS PAGE Writing and producing a radio drama is a way to integrate most language skills into a real-life activity. It is an activity that can stimulate the student's imagination and uncover a power long hidden in many students Cthe urge to create.Steps involved Let students listen to a radio drama cassette with writing (and perhaps producing)* their own radio play in mind. The writing and producing steps are:
Some notes on sound effects (SFX)Be careful that students don =t get carried away and include too many sounds. Sound effects should support the story and suggest action. Too many sound effects may detract from the story. Sound effects that must be timed precisely with the dialog should be done manuallyCa knock on the door, for instance. Sound effects that serve as background or mood may be recorded earlier and played back on a boom-box (or 2, or even 3) fading in and out as needed. To avoid rewinding tapes, be sure to record several minutes of each background effect.Recommended Equipment Minimal Equipment (with recording) If you are on a tight budget, but still would like to record the productions, you can make do with this equipment setup:
Minimal Equipment (without recording) If you want to produce radio dramas/reader =s theatre productions for an audience with background SFX, you can make do with the following:
The following equipment is recommended if you plan to do full-blown radio drama productions:
Complete instructions for writing and producing radio dramas in the classroom are available in our publication: Theatre of the Mind, Writing and Producing Radio Dramas in the Classroom
Copyright 8 1998Balance Publishing Company |
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